TSAR-1 stands for True Stereo Algorithmic Reverb Model 1: - True Stereo Both the left and right channels contribute uniquely to the left and right outputs, so the right channel doesn't only affect the right channel but also the left side. Unlike many other reverbs, which might have a two different engines for the left and right sides, or just one engine with different outputs for the left and right sides, a true stereo reverb needs four unique engines to process the audio. This is true stereo, and this is what the TSAR-1 engine does.

- Algorithmic Reverb Even if there are tons of convolution reverbs out there, and anyone with a simple piece of software can create their own set of impulses, there are nothing that compares to a well designed algorithmic reverb. TSAR-1 stands for True Stereo Algorithmic Reverb Model 1: - True Stereo Both the left and right channels contribute uniquely to the left and right outputs, so the right channel doesn't only affect the right channel but also the left side. Unlike many other reverbs, which might have a two different engines for the left and right sides, or just one engine with different outputs for the left and right sides, a true stereo reverb needs four unique engines to process the audio. This is true stereo, and this is what the TSAR-1 engine does. - Algorithmic Reverb Even if there are tons of convolution reverbs out there, and anyone with a simple piece of software can create their own set of impulses, there are nothing that compares to a well designed algorithmic reverb. An impulse response is indeed a very good finger print of a room's acoustics, and does a good job in mimicking a sampled space if you have a completely dry recording. You'll get all the echoes, tails and coloration of that room.

An algorithmic reverb is on the other hand designed to add space or ambience to a recording without coloring the dry signal and without interfering with the already recorded ambience. The ability to tailor the reverb to co-exist with the recorded ambience is one of the strengths of an algorithmic reverb, and one very strong reason to why you will always need well designed algorithmic reverbs.

Key features - True Stereo Algorithm - Extraordinary versatility - Comprehensive user interface - Modern and powerful high-end reverb - Extensive preset library - Comes bundled with the TSAR-1R Reverb (same algorithm, but focuses solely on natural spaces. And with only three parameters: Time, Predelay and Color). • Updated with GUI bug fixes. Fixes problems with line breaks in dialogs, and affects track meters. • Console 1 OSD: Changed help texts in All mode, changed ugly-looking ellipsis in Group text.

• Console 1 OSD: The left (instead) of right meter is used in mono mode. Looks better that way. • Console 1 OSD: Curves filtering now as fast as the rest of the GUI. • AAX 64-bit: First release (Mac/Win) • CPU optimizations • New graphics engine • Silence detection to save CPU when silent • Changed peak hold meter behaviour • AAX: Bypass gets same latency as processing • AAX: 'Compare' indicator bug fix • Removed circular knob modes. Horizontal/vertical is now default. • Include AAX in VST/AU installer • Acoustic Feedback: Dry signal does not collapse to mono in stereo. • Pro Tools: Implemented the new automation shortcuts for Windows • TSAR-1R: Fixed GUI bug with the previous value display • Classic Channel, Grand Channel: Changed value on the Comp before EQ parameter • Pro Tools: Updated page tables, especially for Custom Fader modes.

• Changed system requirements: Mac OS 10.6 and Windows 7 or better is now required. It will probably work with older OS:es, but we don't support it. All changes up to 1.3.3 that are not platform specific Optimized CPU usage on both DSP and Native plug-ins Tube Delay: Fixed a bug where the Tempo Sync switch was reversed.

AU: Fixed a problem with switches and automation in Logic VST3: Fixed a problem with factory presets in the TLA-100 TLA-100: Less zipper noise on the Saturation control AAX/TDM/RTAS: Improved page tables for D-Control and D-Command (Bass Amp Room, Focusing Equalizer, Dyna-mite, FET Compressor, TLA-100, Tonelux Tilt & Tilt Live, CL 1B.). • Updated with GUI bug fixes. Fixes problems with line breaks in dialogs, and affects track meters. • Console 1 OSD: Changed help texts in All mode, changed ugly-looking ellipsis in Group text. • Console 1 OSD: The left (instead) of right meter is used in mono mode. Looks better that way.

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• Console 1 OSD: Curves filtering now as fast as the rest of the GUI. • AAX 64-bit: First release (Mac/Win) • CPU optimizations • New graphics engine • Silence detection to save CPU when silent • Changed peak hold meter behaviour • AAX: Bypass gets same latency as processing • AAX: 'Compare' indicator bug fix • Removed circular knob modes. Horizontal/vertical is now default.

• Include AAX in VST/AU installer • Acoustic Feedback: Dry signal does not collapse to mono in stereo. • Pro Tools: Implemented the new automation shortcuts for Windows • TSAR-1R: Fixed GUI bug with the previous value display • Classic Channel, Grand Channel: Changed value on the Comp before EQ parameter • Pro Tools: Updated page tables, especially for Custom Fader modes. • Changed system requirements: Mac OS 10.6 and Windows 7 or better is now required. It will probably work with older OS:es, but we don't support it.

All changes up to 1.3.3 that are not platform specific Optimized CPU usage on both DSP and Native plug-ins Tube Delay: Fixed a bug where the Tempo Sync switch was reversed. AU: Fixed a problem with switches and automation in Logic VST3: Fixed a problem with factory presets in the TLA-100 TLA-100: Less zipper noise on the Saturation control AAX/TDM/RTAS: Improved page tables for D-Control and D-Command (Bass Amp Room, Focusing Equalizer, Dyna-mite, FET Compressor, TLA-100, Tonelux Tilt & Tilt Live, CL 1B.).

TSAR-1 Reverb is one of the best sounding verbs out there at the moment. Mixerman/Eric Sarafin, Mixer and author. The TSAR-1 has been designed with ease of use in mind.

Instead of a myriad of controls, we gave the user interface five sliders and a couple of switched options. But you may very well find you never need to use even these simple controls. Because we included a solid bank of presets, which will cover most of your needs. The presets are clearly named for their intended use, so find a setting you like, maybe tweak a little - and you're good to go.

When it comes to reverbs, I want fast access to the key parameters like time, pre delay, tone, etc. Torrent Erase Una Vez El Hombre Serie Completa De La Salida. These are all there, and the reverb also happens to sound beautiful. The TSAR-1 just sounds big! Patrik Berger, Composer, producer and musician (Santigold, Charli XCX, Robyn, Lana Del Rey, Miike Snow). In Short • True Stereo Algorithm • Extraordinary versatility • Comprehensive user interface • Modern and powerful high-end reverb • Extensive preset library • Also includes the Features Predelay Use it as a rhythmic effect or to carefully match the tail with the early reflections. Time Longer or shorter reverb tail. Where do you want to go today?

Density Smooth, modern and dense, or sparse, lush and vintage. Tone Dark or bright?

No need to adjust dozens of knobs to get the character you need. High Cut Too much sizzle? Cut the highs. Early Reflections Type Large, Medium or Small? What room do you want to place your tracks in? Early Reflections Mix Already got a good sounding room and just need some longer reverb? Turn down the earlies with the mix knob.

Diffusion Need that extra smoothness on your snare? Modulation A vintage style chorus-y modulation, or a modern and classy modulation? Reverb Mix and Output Volume They just have to be there, right?

Incredible incredible incredible!!!!! Just mixed Lil' Waynes new single How to Love and so sweeeet my TSAR-1 Reverbs are sounding right now. If I had four hands I'd give four thumbs up! Fabian Marasciullo, Mixer for Lil' Wayne, The Neptunes, etc. Interactive Display Show both current and previous settings, and toggle between those by clicking on each of the parameter value displays. Extensive Preset Library 41 well designed presets, categorized into a 'modern' and a 'vintage' set. The modern set focuses on the classy reverb sounds of today, while the vintage set mimics the characters of old school reverbs we still love to use.

All presets are well documented with examples of intented use cases. After installing the TSAR-1 it immediately became my go-to reverb and I used it whenever I needed some ambience.

A smooth plate for a vocal, medium sized room for a snare drum, sparkly string ambience; it really sounds great on everything. The control set is fantastic and it is very easy to quickly tweak the EQ of the reverb or time the pre-delay. [.] be warned, you will inevitably find yourself purchasing the iLok asset when the demo period is up! Bo Boddie, Santana, Everlast, Korn, Reni Lane, etc. I easily got anything from small boxy rooms to plates to large halls and chambers.

I had no problem getting exactly the right reverb for songs ranging from hard, in your face, Rock to smoother ballads and dreamy instrumentals. [.] TSAR-1 is capable of easily creating credible-sounding impossibly large spaces--the hardest job for all digital reverb systems. TSAR-1's reverbs sit in the track well without being overly loud and taking up a lot of space and level. I found loads of uses on every song I've mixed with it so far.

Barry Rudolph, Contributing editor for MIX Magazine and 'New Toys' columnist for L.A.' S Music Connection Magazine. I've never been quite satisfied with plugin reverbs in the past but this plug was something different. It really sat in the track on everything i threw at it. I used it everywhere on the Metal Sinatra record and it quickly became the 'official reverb'. I loved the Vintage EMT Plate on vocals, thick and lush!

The Drum Plate and Chamber were amazing! Its quite flexible yet VERY easy and intuitive to use.

I can't sing its praise loud enough. Simply great!

Another killer plug by the artisans at Softube! Brett Chassen, Engineer/Producer/Drummer. Recording credits includes among others Dave Grohl, Lemmy Kilmister, Billy Gibbons, Ronnie James Dio, Tony Iommi, Carlos Cavazo, dUg Pinnick, Alice Cooper, Jack Blades. TSAR-1 Reverb is my new go to reverb. The sound is just fantastic. And its operation couldn't be easier.

I can dial in any ambience I could want in the time it would take me just to scroll through the libraries of some of the other reverbs. Its clarity, versatility and simplicity make it an absolute pleasure to use. If the TSAR-1 were a piece of hardware from 20 years ago people would be tripping over themselves to buy the plug-in emulation. Good-bye convolution, hello evolution. Geoff Sanoff, Bruce Springsteen, Sarah Brightman, Green Day, Television and Michael Stipe.